Anthropomorphic substances in drawing' perfection; all transfigures, oscillating between sculpture and painting, between what we see and what it could be.
Radu Constantin Rata, captures his anthropological dictionary from an imaginative universe: echoes of a wonderful post modern or, perhaps, post ancient time emerge in his work with various outcomes.
His composition moves the precarious border of life, contemplating this contralto; there are like two faces of the same medal, that oscillate in a never ending movement, asking to us where life is ending and where death is starting; in this border Radu's investigation set out.